Sewing Paper

"When Night Comes Before Day"
11x14"  mixed media collage

I have a love for sewing.
I have sewn most of my life, moving from making my own clothes to making quilts to sewing anything that  I can stick a threaded needle into.
Sewing a collaged surface takes more time, but it is time that I truly enjoy.
It brings a certain intimacy to the work that isn't there for me with other materials.
When I am working with hard surfaces like wood, I find that I incorporate sewing-like line quality.
And at times I have drilled holes into the wood so I could actually stitch the surface.
As with any artwork, the use of materials or techniques needs to "match the meaning" or intent of the work.
The black lace, although plastic, and the white lace, although covered with plaster, definitely called out for stitching.
The laces had been previously used for printing their designs onto other artwork, so they are the unconventional materials here while the stitching is the traditional process used to tie everything together.

What's in a Title?

"Not Enough of Anything"
9x11" mixed media collage

Is it important to title your art work?
This is an ongoing question in art schools and among artists everywhere.
As an educator I feel that titling one's work gives the viewer some idea of where you are leading them.
Although titles can be rather elusive, as I think this one is.  But it might cause one to think.

When I go to galleries and museums I see titles that are often very obvious and ones that don't help me at all in terms of knowing what the artist intended.  Perhaps, in the latter case, s/he wanted to remain rather private.
I usually give a lot of consideration to the titles of my artworks.
Sometimes a more straightforward title is what the work calls for while other times titles that carry some emotional content fit the work and my thought process throughout.
That might be the case for this work.

Letting the Work Speak to Me

Variation on a Theme no. 5
8x10"

Working with this large, curved, white collar was a challenge.  I guess it was the fact that it is so large on this 8x10" piece of paper and that it has such an organic nature.  A lot of my work tends to be more geometric.  So it is good to work against the grain, so to speak.  There was lots of staring...me staring at the big white collar and the big white collar just staring back.  I was waiting for the work to speak to me.  Sometimes it does; sometimes I just have to guess at what the work wants.  I think in the end the big white collar did not want to be so big, so visible.  The addition of the woven belt and the stained tea bags on the left helped the composition as did the pink circles on the right.
Over all, this Variations Series is telling me I need to work with smaller collage pieces when working in this size range.
But I did not learn the lesson soon enough.  I have already started and almost completed Variation no. 6 which also has a pretty large collage element.

It is Always About the Process...Always

When I don't know what to do in my studio I make a collage.

It is what I know best.  The collages on these days are not always wonderful, but they fulfill a need.

In this collage I was trying to use some materials that I don't normally work with,

like the bubble wrap.  It was also about the challenge to use a variety of materials that don't necessarily go together to make make something that seems to work together.

I like the irregular shape, but have mixed feelings about the rest of it.

Ultimately, it is about the process, the making of the work, that is important.

(fabrics, lace, bubble wrap, acrylic paint, needlepoint, burlap, stitching)

This piece is 18x19" and priced at $140 including shipping.  To purchase please email me.