mixed media collage on wood
As I move into the new year I have several art commitments coming up as well as a trip to New York City, so
I am once again working small and on a variety of ideas and imagery.
I have not forsaken the "Botanist's Journal Series".
I am still working on those pieces, just mixing it up a bit.
Actually the flower in this piece is from a copy of one of the Botany pieces (see Golden Poppy, Dec. 14 post).
Look for this new small piece on Etsy after the New Year.
There is something very satisfying about working small.
Immediate results and a sense of accomplishment that often takes so long to achieve when working larger.
It also allows one to try new techniques or colors, imagery or abstraction and then analyze what works and what doesn't.
Just what I need right now.
mixed media collage on paper and canvas
These works based on my Dad's botany journals have been both challenging and rewarding.
I am beginning to include more paint and am letting the artwork speak to me about the size of the piece.
Initially they were all fairly square, but the materials I am selecting for the base surface is now dictating the size.
In this one I have put together canvas (top half) from an old acrylic painting and an old dark mono print on paper (bottom half). The mono print got totally obliterated and hidden as I worked.
That disappointed me as I really liked the marks and character of the mono print, but it is still there, just part of the history or soul of the piece.
Framing or presentation of these pieces is the next challenge!
|"Wild Yellow and Red Plum"|
mixed media collage on canvas
The support or surface of this piece is an old acrylic painting that I sanded in order to reveal some of the underneath layer. I am a fan of distressed and aged surfaces. The sanding creates marks and areas that I can't achieve when I am painting. There is just something about these unexpected and worn surfaces that I like.
A revelation of the soul of the work.
I think I "chickened out" a bit on the direct drawing that I want to do by keeping it in that rather ambiguous lower right corner, deferring to some machine stitching lines that cut across the picture plane. But I really liked the drawing of the red plums that was in Dad's original illustration...small yet important.
|"Three Calla lily Leaves"|
from the Botanist's Journal series
mixed media collage on a paper and canvas support
The Calla Lily leaves are really layered into this work. Part of one is clearly seen on the right side, but the viewer has to really look for the other two. I was able to add some direct drawing (the black active circles and Xs) over top of the work which was very scary to do as I had put a lot of work into the piece and was worried about ruining it.
Isn't that always our worry...that we will go too far or sometimes not far enough.
Lots of transparent layers has long been one of my goals and something I think I often achieve.
Now the act of adding direct drawing using paint or sewing lines is the next step or challenge for me.